Monassa on Myspace

Soloist: Itzhak Perlman





Soloist: Sarasate himself (old recording)





Vienna Philharmonic Women's Orchestra
Soloist: Bojidara Kouzmanova
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Ion Miu, Olga Mishula

Soloist: Itzhak Perlman

Sonates pour Violoncello et Basso continuo
Violoncello: Jonas Iten

Would you rather be on stage? Or look like one of the two in [4:45]?

He himself would say he cannot like it.

When my people are the people to come, this would be music for my people.

It does not hide too much. Everyone shall discover.

What is the "it"? When someone just "got it", he's got the magical "it".

Now, I don't know if you get it (sure you got it), in your sphere, but here, I am thinking about the music and "it".

I just listened to a song by Emilia Torrini, seeing a video of her. The video and the sound did not so very directly impress me (while I know that she has done things I liked).

But the people wrote about her song how much they like it.. and that they look forward to hear it in an upcoming concert. So... suddenly, there comes into my mind this picture of that it is the "it" in the air, that "something" in the air that makes music good ... the ability, maybe, of the artist, to translate happening into the present receivers in just the best way for all...

... and in here, can he / she spin free.. in creativity? So that the liberty of the artist goes hand in hand with the liberty of the people? Sounds like harps and heaven, however, the emotional dynamics between the stage-"it" and the audience-"it" must follow some natural laws... or at least, some surrendering to a sweet and embracing ... umm... magic!

:-)